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已故日本艺术家石田彻也的画作描绘了一个灰暗、超现实,并且包裹着一层暗黑幽默的世界。在这片绝境之中,每一个漂在都市环境中的他和她都侧目不视人,仿佛是回避任何与同类的接触。角色们的孤独是真切的,特别是那位与画家本人外貌相仿的男人。这些画布上的人们是如此疲惫不堪,以至于即便是出现了从想象的怪兽腹中坐起的婴儿都无法使这些麻木的人们摆脱行尸走肉。曾承诺要为人们摆脱永恒的苦役与不幸的现代科技,在这里仅仅为人与人之间创造了更大的鸿沟。这是在日本本土以外举办的首次石田彻也展,高古轩画廊展出了1996至2004年间画家完成的13幅作品(艺术家生于1973年,卒于2005年),孤立与隔离的主题贯穿始终。在作品《长距离》(1999)中,一名有着海马身体的男人悬浮在电话亭内,话简就在他脸边,而一本电话目录则在他尾部晃荡。附
The painting by the late Japanese artist Ishida also depicts a world of gloomy, surreal, and dark, humorous. In this desperate situation, he and she are all ignoring people in the urban environment, as if to avoid any contact with their peers. The loneliness of the characters is real, especially the man who looks similar to the painter himself. The people on these canvas are so exhausted that even numbing babies who appear from the belly of an imaginary monster can not get these numbing people out of the walking corpse. It has promised to free itself from the eternal hard labor and unfortunate modern science and technology that merely creates a broader gap between people here. This is the first Ishida exhibition held outside Japan. Gagosian Gallery exhibited 13 works completed by painters from 1996 to 2004 (the artist was born in 1973 and died in 2005) and the theme of isolation and isolation runs through. In “Long Distance” (1999), a man with a seahorse body levitates over the phone booth. Jane is on his face and a phone list slides on his tail. Attached