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当一个小说作者崭露头角的时候,最重要的也许莫过于表明他的不同之处。因而也就有了关于他的小说的第一个问题:到底有哪些非同一般的地方?对于这一点,任何后来者都显得很有信心。他们没有写作的历史,不存在克服习惯定势的要命的折磨。这是他们作家生活的黄金时期,人人都自觉前途像大海一样地辽阔,我也不例外。既然世界上不存在两片完全相同的树叶,我的写作当然首先是以我个人的差异作为保证的。问题到此似乎已有结论:我们的写作就是为了坚持和扩张这种天然的差异性。甚至于艺术价值的秘密也在于此,即是观测个体差异的可能程度。这个和现代
When a novelist emerges, perhaps the most important thing is to show his differences. And so there is the first question about his novels: what are the unusual things in the end? Any latecomer feels confident about this. They do not have a history of writing, and there is no terrible torture to overcome their habit of custom. This is the golden age of the life of their writers. Everyone has a promising future as vast as the sea. I am no exception. Since there are no two identical leaves in the world, my writing is, of course, guaranteed by my personal differences first and foremost. The question seems to have come to the conclusion that our writing is to maintain and expand this natural difference. Even the secret of artistic value lies in the possibility of observing individual differences. This and modern