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“七彩东方—第二届上海漆画展”于上海美术家协会东外滩艺术空间如期拉开帷幕。上海作为现代漆画肇始之地,再一次为此项脱胎于传统漆艺的新艺术样式,提供了展示魅力的舞台。中国现代漆画的发展,目前可以追溯至1930年代雷圭元于杭州国立艺专开始的漆画创作与教学。雷圭元祖籍松江,在松江度过了少年时代,后前往北京艺术专科学校求学,并赴法国学习工艺美术。回国后,雷圭元在杭州国立艺专任教,作了一批漆画,风格上受到西方现代绘画的影响,这些作品收录于1936年
“Colorful Oriental - Second Shanghai Painting Exhibition ” in the Shanghai Artists Association East Bund art space kicked off as scheduled. Shanghai as the starting point of modern lacquer painting, once again born out of this traditional lacquer art nouveau style, provides the stage to show the charm. The development of modern Chinese lacquer painting can now be traced back to the creation and teaching of lacquer painting by Lei Juiyuan in the 1930s at the Hangzhou National Arts School. Lei Gui yuan ancestral home Songjiang, in Songjiang spent a boyhood, went to Beijing Art College to study, and went to France to learn arts and crafts. After returning home, Lei Guiyuan in Hangzhou National Arts College to teach, made a number of lacquer paintings, the style by the Western modern paintings, these works included in 1936