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我国对音乐心理学思想的研究可以追溯到春秋战国时期。从音乐生理、心理的功能至音乐审美心理特征,从听觉心理的特点至音乐创作和表演心理的规律均成为古代学者关注的问题,收集和整理蕴藏于古代音乐论著中的音乐心理学思想是形成具有我国本土化特征的音乐心理学理论体系的重要组成部分。本文从宏观角度探究了我国古代音乐心理学思想的不同发展阶段及其特征,以期呈现其整体轮廓。
Our study of music psychology can be traced back to the Spring and Autumn Period and the Warring States Period. From the psychology of music, to the aesthetic features of music, from the characteristics of auditory psychology to the rules of musical creation and performance psychology, the ancient scholars have become the focus of attention. The thoughts of music psychology collected and collated in the ancient music theory are formed An Important Component of the Theoretical System of Music Psychology with Chinese Characteristics of Localization. This paper explores the different stages of development and characteristics of ancient Chinese psychology of music from a macroscopic perspective in order to present its overall outline.