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民间建筑彩绘呈现出不同的地域文化特征,台湾民间传统建筑彩绘,丰富的色彩、满铺的构图看似繁俗,在传统建筑营建过程中,透过仪式观察及匠师访谈,可发现彩绘在空间中的配置原则,揭示彩绘题材的设置与建筑空间位置、位序有密切关系,其建筑彩绘的题材选择及设置受到仪式与规制影响。彩绘主题中的厌胜画、吉瑞图示、教化题材的设置反映传统空间的宇宙观,并且与传统的礼制思想一致,希冀补充我国民间传统建筑彩绘的学术研究、保存地域文化传统、借助保护民居珍贵遗产探讨可持续发展地域文化的方向。
In the process of building a traditional building, through the observation of the ceremony and the interviews with craftsmen, we can find that the painting in the traditional architecture of Taiwan is rich in color and rich in color. The principle of arrangement in the space reveals that the setting of the painted theme is closely related to the position and the sequence of the architectural space. The selection and setting of the theme of the architectural painting are influenced by the ritual and the regulation. Painted theme of the painstakingly drawn, Jerry illustrated teaching theme set reflects the traditional space of the universe, and consistent with the traditional ritual thinking, hoping to supplement our traditional folk architectural painting academic research, preservation of regional cultural tradition, with the protection Residential Precious Heritage Explore the direction of sustainable development of regional culture.