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看到张韬的《最后的皮影》,心中喜忧参半。喜在这门古老的民间艺术终于引起人们的关注,而忧在于它目前的生存状态和发展前景的确并不乐观,引人深思。皮影,一直被誉为中国民间艺术的精华。它既包容了制皮、雕刻、印染、绘画、书法等平面艺术,也融合了地方戏、相声、民间器乐等音乐元素。不仅如此,作为民俗艺术,它又成为不同地区,不同民族的人们审美倾向的集中表现,背后还蕴含着不同地区原始的宗教信仰。
See Zhang Tao’s “Last Shadow”, mixed feelings in my heart. Happy in this ancient folk art has finally attracted people’s attention, but the worry is that its current state of existence and development prospects are indeed not optimistic, thought-provoking. Shadow, has been hailed as the essence of Chinese folk art. It contains both leather art, sculpture, printing and dyeing, painting, calligraphy and other graphic arts, but also a fusion of local opera, crosstalk, folk instrumental music and other elements. Not only that, as folk arts, it has also become a concentrated expression of the aesthetic tendencies of people in different regions and different nationalities. Behind this, it also contains primitive religious beliefs in different regions.