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湘剧《山鬼》问世,惊扰潇湘剧坛。有人拍案叫给,有人大惑不解,于是议论纷纷:这是屈原吗?这是历史的真实吗?这出戏告诉了我们一些什么呢?这是寓言剧?荒诞剧?哲理剧?……人们按照自己习惯了的思维方式,总想把那偌大一个整体,归纳成一个简洁明了的概念——主题,然后问一下它的主题何在? 答案似乎莫衷一是。于是,人们希望能在作品的字里行间、在演出的情节跌宕之中,去寻觅到那点燃自己心灵的烛光。湘剧《山鬼》有一个副标题:“屈原先生的一次奇遇”。这奇遇并非南后倒入屈原怀中,也不是蝉娟代
Xiang opera “Shan Gui” come out, disturb Xiaoxiang theater. Someone called a case, someone was puzzled, so talking about: this is Qu Yuan it? This is the history of the real? What does this play tell us something? This is a fable drama? Absurd drama? Philosophical drama? ...... People accustomed to their own way of thinking, always want to put that big one whole, summed up as a concise concept - theme, and then ask what the theme of it? The answer seems incomprehensible. As a result, people hope to find the candlelight that ignites their soul in the works’ words and in the ups and downs of the performance. Xiang Opera “Shan Gui” has a subtitle: “an adventurous Qu Yuan”. This adventure is not south into Qu Yuan pregnant, nor is it cicada Juan generation