论文部分内容阅读
山西北路梆子传统戏《血手印》中有一场《行路》,是老汉林有安因他的儿子被人诬陷,即将问斩,他赶到法场去与儿子诀别,行在路上的一场戏。这场戏,原来不过是几分钟的过场戏,过去都是由二路须生来演。忻州地区北路梆子剧院一团的头牌老生李万林,认真研究了剧本所赋予林有安这个人物的特定环境和性格特征,深入理解了人物在全剧中的作用,认定加强发展《行路》这场戏,不但不夺戏,不抢戏,而且可以丰富全剧,使这出悲剧给人的感受更深。因此他把这场戏发
There was a “road” in the traditional opera “Blood Fingerprints” on the north road of Shanxi Province. Lin Anan was framed by the old man Lin Anan because of his son. He was about to cut off. He rushed to the court to bid farewell to his son and walked on the road. play. This scene, the original is only a few minutes of the scene, in the past by the Second Road to be born to play. Li Wanlin, the head coach of a delegation at the Chusi Theater in North Road Xinzhou, carefully studied the specific environmental and character traits that Lin An-An has given to the play and deeply understands the role of characters in the drama and deems that strengthening the “road” Play, not only do not seize the play, not rob play, but also enrich the play, so that the tragedy gives the feeling deeper. So he made this scene