论文部分内容阅读
场面描写是对以人物活动为中心的生活画面的描写。名著中的场面描写具有多种表达功能。 一、刻画人物形象★ 却说文聘引军追赵云至长坂桥，只见张飞倒竖虎须，圆睁环眼，手绰蛇矛，立马桥上……都不敢近前……飞乃厉声大喝曰：“我乃燕人张翼德也!谁敢与我决一死战?”声如巨雷。曹军闻之，尽皆股慄。张飞睁目又喝曰：“燕人张翼德在此!谁敢来决一死战?”曹操见张飞如此气概，颇有退心。飞望见曹操后军阵脚移动，乃挺矛又喝曰：“战又不战，退又不退，却是何故!”喊声未绝，曹操身边夏侯杰惊得肝胆碎裂，倒撞于马下。操便回马而走。于是诸军众将一齐望西奔走。正是：黄口孺子，怎闻霹雳之声；病体樵夫，难听虎豹之吼。一时弃枪落盔者，不计其数，人如潮涌，马似山崩，自相践踏。 ——罗贯中《三国演义》 [简析]怒目横矛的英姿，三次“声如巨雷”的“大喝”，曹军诸将的“肝胆碎裂”、“自相践踏”，构成了杀气腾腾、富有神奇色彩的激战场面，从正反两面活灵活现地塑造了张飞这位虎
Scene description is the depiction of the life scene centered on character activities. The description of the scene in the famous works has many expression functions. First, portraying the character image ★ It was said that the literary leader led the army to chase Zhao Yun to Changqiao Bridge. I saw Zhang Fei upside down and a tiger beard. He had a round eye, a handkerchief, a snake spear, and a bridge on the bridge. Sternly shouted: “I am Yan Yi Zhang Yi also! Who dared to fight with me to a death battle?” Sounds like a giant thunder. Cao Wenwen heard it, and he was all desperate. Zhang Fei sighed and said: “Yan Zhang Yide is here! Who dare to make a dead battle?” Cao Cao see Zhang Fei so spirit, quite retired. After seeing Cao Cao’s army, the front position moved, but the spear scampered again: “The war is not a war, but it is retreat, but why is it!” The cry was not overwhelmed. Cao Cao’s side was Xia Houjie’s panic and hesitated. Under the horse. Sit back and go. So all the troops will march together and look west. It is exactly: The voice of Huang Kui, how can you hear the sound of crickets; There are countless people who have abandoned the guns and thrown off their helmets. If people are surging, the horses are like a landslide and trample themselves. - Luo Guanzhong’s “Romance of the Three Kingdoms” [Analysis] The heroic posture of a horizontal spear, three times “sounding like a giant thunder,” “drinking,” Cao Jun Zhu Jiang’s “fragmentation of the liver and gallbladders” and “self-inflation trampling” constitute a murderous tragedy. The scene of fierce battles with magical colors has vividly shaped Zhang Fei’s tiger from both positive and negative sides.