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现代主义绘画是从19世纪末、20世纪初所形成的多种美术流派的统称,在多元化的发展状态下,现代主义绘画中的色彩语言与表现形式也更加纷繁多样。它们具有生命力的创新与变革,将传统的艺术审美观念突破,更加强调艺术家主观个人情感与精神特征的表达。色彩表现不再局限于光源的制约限制。尝试新的艺术理念与表现形式创造。形成了艺术家自己独有的语言结构,使色彩语言从单纯的客观再现性上升为主观再造性研究。经过归纳与总结,形成个人独特的绘画风格,产生具有鲜明的时代特征和艺术创新。因此,我们需要总结现代主义色彩语言的结构形成与发展规律,共同探寻和研究现代主义色彩语言的时代特征与意义。
Modernist painting is a collective term for a variety of art schools formed from the late 19th century to the early 20th century. Under the condition of diversified development, the color language and manifestations in modernist paintings are also more varied. They have the vitality of innovation and change, the traditional concept of artistic aesthetic breakthroughs, more emphasis on the artist’s subjective personal emotional and spiritual expression. Color performance is no longer limited to light source constraints. Try to create new artistic ideas and expressions. The formation of the artist’s own unique language structure, the color of language from purely objective reproducibility rose to the subjective and creative research. After induction and conclusion, the formation of a unique personal painting style, resulting in a distinctive characteristics of the times and artistic innovation. Therefore, we need to summarize the law of the formation and development of the structure of the language of modernism, and explore and study the characteristics and significance of the era of the modernist language of color together.