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万光泰《四声谱考略》是清代中古音研究的一部开山之作,埋没至今,鲜为人知。本文着重从学术史的角度,介绍了本书在文献学上的价值以及万光泰在沈约诗韵研究上的贡献。因篇幅关系,本文研究分上下两篇。上篇主要是考论齐梁时代声韵学的发展和清代学术背景问题,辩证了沈约《四声谱》的内容实质,介绍了《四声谱考略》著述体例等问题。下篇主要是介绍万光泰在研究沈约及南北朝诗韵上的一些重要发明。根据万光泰的研究,沈约诗韵可以归纳为58个韵部,其中阴声韵19类,阳声韵20类,入声韵19类。这些研究与今人王力和周祖谟先生的相关结论基本一致,在中古音的研究上具有开拓性的意义。它揭示了沈约诗韵与《切韵》语音性质的关系,成为汉语史上中古音研究的扛鼎之作。
Wan Guangtai “four sound spectrum test” is a study of the Middle Ages of the Qing Dynasty mountains, buried so far, little-known. This article focuses on the academic history of the book, describes the value of the book on the philology and Wan Kwong-tai's contribution to the study of Shen Yue poetry. Due to the length of the relationship between the two points in this study. The first part is mainly about the development of phonology in Qiliang era and the academic background of Qing Dynasty. It dialectically describes the essence of Shen Yue's “Four Sounds” and introduces the writing style of “Four Sounds”. The next part mainly introduces Wan Guangtai's research on some important inventions of Shen Yue and Northern and Southern Dynasties poetry rhyme. According to Wan Guangtai's research, Shen Yue poems can be summarized as 58 rhyme divisions, of which Yin Yin rhyme 19, Yin Yang rhyme 20, into rhyme 19 categories. These researches are basically consistent with the related conclusions of present-day Wang Li and Zhou Zumei, and have pioneering significance in the research of Middle Ancient Sound. It reveals the relationship between Shen Yue's poetic rhyme and the phonetic nature of “Qieyun”, and has become the carrying mission of the study of ancient Chinese sound in Chinese history.