论文部分内容阅读
仅用44天谱就的歌剧巨作 1889年秋,俄罗斯皇家剧院经理伏谢沃罗吉斯基在委托彼得·伊里奇·柴科夫斯基创作舞剧《睡美人》的同时,还建议他创作歌剧《黑桃皇后》。作曲家对此怀有强烈的兴趣 ,故从最初的歌剧台本写作就倾注了满腔热情。 普希金的小说《黑桃皇后》于1833年发表后,很快就吸引了一些作曲家为它谱曲。最早是法国作曲家阿莱维(Halevy,1799~1862)根据法国剧作家斯克里勃改编的剧本谱写的歌剧《黑桃皇后》(1850),其后又有奥地利作曲家苏佩(Suppe,1818~1895)的歌剧《黑桃皇后》(1862)问世。但这两部作品都未能在歌剧舞台上占据应
In the autumn of 1889, the Russian royal theater manager Vševo Rogizki commissioned Peter Ilyich Tchaikovsky to create the sleeping beauty “The Sleeping Beauty,” and in the fall of 1889 also recommended that he create the opera Queen of Spades Composers have a strong interest in this, so from the initial opera blockbuster devoted passion. Pushkin’s novel The Queen of Spades, published in 1833, soon attracted some composers to compose music for it. The earliest was the opera Queen of Spades (1850), written by the French composer Halevy (1799-1862) based on the script written by the French playwright Scriab, followed by the Austrian composer Suppe (1818) ~ 1895) opera “Queen of Spades” (1862) came out. However, neither of these two works has taken over the opera stage