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余于刻印素以“古”、“雅”、“静”为追求目标。“古”者,古典、高古也,亦可理解为重视传统,从传统中来。“学古出新”为追求高层次篆刻艺术的必由之途,无古之新若空中楼阁,筑基不厚,定会坍塌,只古不新,印奴而已,余不齿;“雅”与世俗、俗气相对,但不避通俗,阳春白雪固然高雅,而和者寡,离艺术源于生活,高于生活,服务于生活之旨相去甚远。下里巴人虽然通俗,只要无媚俗气、脂粉气而雅俗共赏,何乐而不为?“静”者,静穆之谓,若深山古刹,虽鸦雀无声,但深藏无限玄机与变化,绝非了无生机之死寂。
More than in the engraved with “ancient ”, “elegant ”, “quiet ” for the pursuit of goals. “Ancient ” who, classical, high ancient also can be understood as the emphasis on tradition, from the tradition. “Learn ancient new” For the pursuit of high-level seal cutting art the only way, no new If the air pavilion, the foundation is not thick, will collapse, just not new, only slave, more than others; “And the secular, tacky relative, but not to avoid the vulgar, elegant spring snow, and widows, from art from life, higher than life, serving the purpose of life is far removed. Although the popular people in the Lower Reaches, as long as there is no cheesy, fat powder gas and elegant tastes, why not? ”Static " who quietly said that if the temple in the mountains, though silent, but deep infinite mystery and change, not by no means Death of life.