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对于身处一线的影视制作机构和电影主创人员来说,要想真正在中国内地电影的产业化方面有所作为,无论在资金的筹集和运作以及制作的策划与实施方面,都是一件唐·吉诃德式的悲壮的命运拼搏。当我们今天坐在放映厅里看到这部具有相当制作规模、无论在剧作、表演、影像及声音艺术方面质量在内地都可称上乘的影片《五颗子弹》时,首先要透过银幕上的光影声画去感同身受地体味影片主创人员如何把一个由3家影视制作机构联手斥资4000万元的大制作的产业创意,耗费整整3年时间,历经7次开机,才苦苦打造成我们眼前呈现的这部作品。对于刚刚起步的本民族的电影产业,尤其对在客观条件极不对称的情况下与好莱坞大片比拼的一线电影主创人员,我们必须进行换位思考,方能对像《五颗子弹》这样的有所作为的国产大制作影片,有个准确的艺术把握和文化上公允的解析评估。
For the first-line film and television production agencies and film crews, in order to truly make a difference in the industrialization of Chinese films, both in terms of fundraising and operation, as well as the planning and implementation of production, Quixote tragic fate of hardship. When we sit in the auditorium today and see this quite scale-making film “Five Bullets”, no matter in the quality of the drama, performance, video and sound art in the Mainland, we first have to go through the screen On the light and shadow painting to feel empathy to film creators how a film and television production by the three agencies together to spend 40 million yuan of large-scale production of industrial ideas, took a full 3 years, after 7 booting, struggling to create us Present in front of this work. For the national film industry that has just started, and especially for front-line filmmakers who compete with Hollywood blockbusters in the most skewed objective conditions, we must ponder over such issues as “five bullets” As a large-scale production of domestic films, there is an accurate grasp of art and culturally fair analytical evaluation.