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我学习书法二十多年,对行书用功最多,学习其它书体似乎只为行书补充营养,让行书这个心中的“圣塔”垒得更高,垒出更新鲜的样式。我认为“五体”书法中草书最难,其难在至简、至宏、至真。而若论笔法之精妙,则非行书莫属。草书摄人心魄处,多半赖于书家的学养和气度。而行书的动人之处,尤在于其技艺的精深微妙处。我平时与同侪论书,经常说行书是习书人必修之课,必过之
I studied calligraphy for more than 20 years and used up most of my work in running books. Learning other books seems to only supplement nutrition for running books, so that the “Santa Tower” in this book is even higher and a more fresh style. I think “Five-Body ” calligraphy in the most difficult cursive, its difficult to Jane, to macro, to the truth. If the exquisite style of writing, the non-book must go. Cursive captivating office, mostly depends on the book’s learning and tolerance. The moving book, especially in the subtleties of their skills. I usually talk to peer-to-peer theorists, often saying that practicing a book is a compulsory course for a book-taker