浅谈交响乐曲式思维研究

• 作 者: 宋睿龙
• 机 构: 许昌学院,
• 出 处: 中国文艺家
• 发表日期: 2017年06期
• 关键词: 思维研究 曲式结构 曲式思维 音乐作品 曲式学 本质界定 理论学科 彭志敏 理论架构 结构形态

要研究交响乐曲式思维要素,首先要明确曲式的概念。因为这是我们探讨问题的基础和出发点,是对研究对象的范围和本质界定。传统曲式学经过两百余年的发展,至今不仅对曲式的定义仍然是不够准确、合理、完善,而由此在学科的发展过程中产生了明显的相悖现象,也许对于一门以曲式为主要研究对象的理论学科而言是令人难以置信的。~①本文在论述曲式概念的基础上,将对交响乐常用曲式结构深入展开论述研究。

To study the elements of symphonic music, we must first make clear the concept of music. Because this is the basis and the starting point for us to explore the issue, it is the scope and essential definition of the research object. After more than two hundred years of development of traditional music learning, not only the definition of music is still not accurate enough, reasonable and perfect, which leads to obvious contradictions in the course of the development of the subject. It is unbelievable that the style is the theoretical subject of the main research object. ~ ① On the basis of discussing the concept of music form, this article will discuss and discuss the commonly used form of symphony.