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中国古典美学思想的突出特点在于追求“虚实”相融的和谐美和“意境”美,本文认为中国古典美学思想为语言简约美研究提供了十分重要的理论指导和评价标准。它启示我们语言的简约美是明晰美、准确美和简朴美的和谐统一,可以通过新、旧信息的合理安排和语境暗含的适度控制来实现;在语用中则具体体现为交际者语量的减少,语义信息量的增加,语量的减少和信息量的增加三种形式。
The prominent characteristic of Chinese classical aesthetics lies in the pursuit of the harmonious beauty and the “artistic conception” of the “falsehood”. This paper holds that classical Chinese aesthetics thought provides very important theoretical guidance and evaluation criteria for the study of simple language in language. It reveals that the simple beauty of our language is the unity of clarity and beauty, the beauty of accuracy and the beauty of simplicity and beauty, which can be achieved through the rational arrangement of new and old information and the moderate control implicit in the context. In pragmatics, it is embodied in the quantity of communicators Reduce the amount of semantic information, reduce the amount of information and increase the amount of information in three forms.