论文部分内容阅读
1998年3月,德意志唱片公司(DG)为庆祝成立100周年,出版了一套名为“The Artist’s Album”的专辑,四张唱片的主角分别是卡拉扬、伯恩斯坦、俄裔大提琴家麦斯基(Maisky),以及德国女歌唱家奥托(Otto),此举被认为是DG打破保守传统,开始将旗下的艺人进行明星化包装的第一步。为此《音乐家评论》月刊认为:随着多媒体时代的到来,一向封闭自大的古典音乐界只能放下身架,以更多的讯息及层面吸引受众,包括炒作艺人的身世、经历、趣闻,以及更紧密地与形像技术合作。因为令人沮丧的是,古典音乐的听众正在年复一年地减少!那么,这套被吹捧为“里程碑”式的专辑究竟有何新意?死硬派的古典音乐爱好者一定会失望,因为
March 1998, to celebrate the 100th anniversary of the founding record company (DG), published a set called “The Artist’s Album ” album, the four albums are the protagonists are Karajan, Bernstein, Russian cello Maisky, and the German singer Otto, are seen as the first step in the DG’s tradition of breaking the conservative tradition of starring its entertainers. To this end, “Musician Review” magazine that: With the advent of the multimedia era, has always been closed arrogant classical music industry can only put down the frame, with more information and level to attract the audience, including the speculation artist’s life experience, anecdotes , And more closely with the imaging technology. Because it is frustrating that the listeners of classical music are decreasing year after year! So, what is this novel touted as a “landmark” album? Hardcore classical music lovers will certainly be disappointed, because