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本文依据中国早期墓葬发展的历史情境,结合仪式行为、器物体系与结构特征解构建筑明器在墓葬礼仪空间中的叙事意涵,从而消解古代礼仪思维、礼仪系统叙述的断裂。建筑明器作为以空间性为中心的礼器,是墓葬礼仪在汉代发生转变的代表性器物。建筑明器的空间构成摹仿现实木架建筑,其摹仿性与微缩性有其所指,其空间的形态、尺度等理性因子,空间情节设计映射墓葬礼仪文化场域。
Based on the historical situation of the early tombs in China and the combination of ritual behavior, system of artifacts and structural features, this paper attempts to deconstruct the narrative intent of architectural planters in the ceremonial etiquette space, thus resolving the break of ancient etiquette thinking and etiquette systems. As a space-centered etiquette, architectural earthenware is a representative artifact of the change of etiquette in the Han Dynasty. The architectural space of the Ming and Ming Dynasties constitutes a mimic realistic wooden frame structure. Its imitation and miniaturization have their meanings, their spatial form, scale and other rational factors. The space plot design maps the burial ceremonial cultural field.