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戏曲是民众公共的文化空间和娱乐方式,也是价值传播和道德教化的绝佳载体。戏曲与国家意识形态在精神本质上是相通的,具有契合性。建国初期,新中国要建构新的国家意识形态,实现民众对新国家的认同,就必须首先让戏曲艺人认同新国家,通过戏曲演出影响民众,达到人民群众对新政权、新国家、新社会普遍认同的目的。政府通过“改人、改制、改戏”等改革措施,逐渐增强戏曲艺人对共产党执政、社会主义社会、人民当家作主的新国家的认同。戏曲改革经过改旧剧、新编历史剧、创作现代戏三个阶段,社会主义国家意识形态被民众普遍接纳与认可,完成了红色政权政治合法性吁求的历史使命。
Opera is the common public cultural space and entertainment, but also an excellent vehicle for value communication and moral education. The essence of drama and state ideology is similar to each other and is compatible. In the early days of the founding of New China, to construct a new national ideology and achieve public recognition of the new nation, New China must first identify opera artists with the new country and influence the public through theatrical performances, so as to ensure that the general public will be more familiar with the new regime, the new country and the new society The purpose of recognition. The government gradually adopted the reform measures of “reforming the people, reforming the system and reforming the game” to gradually increase the recognition of the opera artists for the new state in which the Communist Party is in power, the socialist society and the people are the masters of the country. The drama reform through the reform of the old drama, the new historical drama, the creation of modern drama three stages, the socialist state ideology was generally accepted and accepted by the public, completed the red political power of political legitimacy of the historic mission.