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从上世纪80年代中国歌唱剧事业发展的危机中走出,世纪之交的三部剧作《玉鸟兵站》、《金沙》、《运河谣》有着各自的审美特点:轻歌剧《玉鸟兵站》的选材侧重于大众性,演唱则以综合为特征;音乐剧《金沙》的选材突出想象的浪漫性,演唱则以通俗唱法为主;歌剧《运河谣》重在心理刻画,虽是历史题材,所用歌谣却充满唯美、个性的色彩。在当代多元化的社会文化语境中,三部作品也表现出与时代相适应的兼具融合美与传奇美的审美特征与审美观念。透视这三部代表作品的审美观念,对于全面把握新时期中国歌唱剧创作的时代特点和艺术风格等,有着重要的意义。
From the crises in the development of the career of Chinese operas in the 1980s, the three operas “Jade Bird Station”, “Sands” and “Canal Ballads” at the turn of the century have their own aesthetic features: the operetta “Jade Bird Station” The material selection of the opera focuses on the generality while the performance of the concert is comprehensive. The selection of the musical Sands highlights the romanticism of imagination, and the singing is mainly based on popular singing. The opera “Canal Ballads” focuses on the psychological portrayal. Although it is a historical theme, The songs used are full of aesthetic, individual color. In the current pluralistic socio-cultural context, the three works also show the aesthetic characteristics and aesthetic concepts that are compatible with the times and have the beauty of fusion and the beauty of the legend. It is of great significance to see the aesthetic conceptions of these three representative works in order to fully grasp the characteristics of the times and the artistic style of the creation of Chinese opera in the new era.