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主持人语 中国当代艺术在近年来发展迅速,尤其是其中具有实验性质的部分。在本土范围内讲,狭义的当代艺术概念几乎与实验艺术是同义词,这类艺术近年来频频出现在公众视野当中。它不再仅仅活动于小圈子当中,然后直接流向国外,而很重视在各种媒体上的自我宣传和国内文化传播中的效应,由此引起国内批评界的重视。中国当代艺术在世界—中国的大文化环境中应该如何自我定位,这是当下的艺术界尚需思考的问题:是直接面对中国文化环境,以回应和解决本土文化艺术问题为首要任务,还是把目标直指国际艺坛和市场,迎合国际当代艺术的趣味,以获得“国际认证”与“国际接轨”为终极追求?这个问题始终是[国际论坛]所关注和讨论的重要话题,本期〖国际视野〗中,林木先生鲜明提出“摆脱艺术全球化的神话”的观点,值得读者关注。主持人/王红媛
Moderator Language Chinese contemporary art has developed rapidly in recent years, especially in the experimental part. In the local context, the narrow conception of contemporary art is almost synonymous with experimental art. Such art has frequently appeared in public view in recent years. It is no longer active in small circles, and then flows directly to other countries. However, it attaches great importance to the effects of self-propaganda in various media and the dissemination of domestic culture, which has drawn the attention of critics in the country. How Chinese contemporary art should position itself in the world-China’s large-scale cultural environment is an issue to be considered by contemporary art circles: whether it is directly facing the Chinese cultural environment and responding to and resolving the issue of local culture and the arts as its primary task, or is it To target the international art market and the market, to cater to the tastes of international contemporary art, and to obtain the ultimate pursuit of “international certification” and “international standards”? This issue has always been a topic of concern and discussion by [International Forum]. This issue In the international perspective, Mr. Lin Mu clearly put forward the view of “getting rid of the myth of artistic globalization” and deserves readers’ attention. Host / Wang Hongyuan