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无论是在在高等音乐院校,还是在高等师范院校中,无论是什么样音乐专业,和声学似乎作为一门最稳定、系统的学科,是必不可少的。同时大多数的和声教学都脱离不开四部和声写作这一老路子,但随着社会不断向前发展,音乐也不断向前发展,和声学作为一门作曲技术理论学科也是不断发展的。对于现在的和声教学来讲,就存在很多问题,比如和声教本的选用。现在市面上的和声教本有很多,应当如何选择?这些和声教本有哪些差异?每本教本特色是什么?我们在教学过程中应当怎样利用这些教本?本文将以比较的方法从和声教本的理论基础及内容两方面对此作简单的分析。
Whether it is in higher music institutions or higher normal colleges, no matter what kind of music major, harmony acoustics seems to be indispensable as one of the most stable and systematic disciplines. At the same time, most of the harmony teaching is separated from the old four-way harmony writing. However, with the continuous development of society, the music continues to develop and the theory of acoustics as a composer of technical theory is constantly developing. For the current harmony teaching, there are many problems, such as the choice of harmony teaching. Now there are a lot of harmony teaching on the market, how should we choose? What are the differences between these harmony teaching? What is the characteristic of each teaching book? How should we use these teaching books in the process of teaching? The theoretical basis and content of two aspects of this simple analysis.