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我国的民族民间唱法源远流长、历史悠久。除了见于前人的论述记载外,还有由民间歌手、戏曲、曲艺演员口口相传留下的大量宝贵财富;我国又是一个多民族的国家,各兄弟民族也为我国创造了风格优美,丰富多彩的民族声乐艺术。但是,这些宝贵遗产,在旧社会被认为最低级的,只能自生自灭。解放后才得到党和人民的重视、关怀。取得了发展,也受到世界各国音乐家的赞赏。我们上海的音乐学院从1951年开始,在贺绿汀院长的倡导和带领下,全院师生曾一度大唱民歌,有一段时期内每天每位师生要背三首民歌。后来发展为开设民间音乐课。52年请来了单弦艺人王秀卿,53年又请来了郿(雲阝)艺人任占魁、黄忠信,榆林小曲
China’s folk singing has a long history and a long history. Apart from the expositions and records of the predecessors, there is also a great deal of valuable wealth left behind by word of mouth from folk singers, dramas and folk opera actors. China is also a multi-ethnic country, and all other fraternal peoples have also created a beautiful and rich Colorful ethnic vocal art. However, these precious inheritances, which are considered the lowest in the old society, can only survive on their own. Only by the liberation of the party and the people’s attention, care. Achieved development, but also by all countries in the world musicians appreciation. Our Music Conservatory in Shanghai started from 1951. Under the leadership and admiration of President He Luting, the teachers and students of the entire courtyard used to sing folk songs once. Every teacher and every pupil performed three folk songs every day for a period of time. Later developed for the creation of folk music lessons. 52 years invited single string artist Wang Xiuqing, 53 years and invited 郿 (cloud 阝) entertainer Ren Zhankui, Huang Zhongxin, Yulin Xiao Qu