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1950年3月,我随部队来到大理古城。当时我和谭百辛、林德宏都在军文工团美工队,年方20出头,风华正茂。建国之初部队实行的是供给制,生活比较艰苦,但我们这群年轻的文艺兵,个个豪情满怀,只顾在工作上努力去发挥自己的绘画特长。在“为工农兵服务”的文艺方针指引下,我们经常深入到连队搜集素材,画速写,搞创作。身背行囊,爬山涉水,足迹遍及滇西的丽江、保山、芒市等地。虽然生活艰苦,但使我们得到锻炼,在美术创作上,打下了扎实的基础。这时,我先后创作了《机警的小林》(发表
March 1950, I came to the ancient city of Dali with troops. At that time, I and Tan Bai Xin, Lin Dehong are art work team in the military regiment, the age of 20 in his early years, prosperous. At the beginning of the founding of the People’s Republic, the troops practiced the supply system and lived a rather harsh life. However, all these young literary and art soldiers are full of pride and enthusiasm, and only work hard at their work to exert their own expertise in painting. Guided by the literary policy of “serving the workers, peasants and soldiers,” we often go deep into the company to collect materials, sketch and sketches, and engage in creative work. Body bags, hiking wading, footprints all over the western Yunnan Lijiang, Baoshan, Mangshi and other places. Although life is tough, but we get exercise, in art creation, laid a solid foundation. At this time, I have created a “smart Kobayashi” (published