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三传的“注疏”把“属辞比事”看做阐发《春秋》书法义例的一种有效的方法,认为三传对书法义例的阐发主要是运用此法;同时,他们也运用此法进一步扩充了《春秋》的书法义例,并提出了属辞比事的相类等原则。通过“属辞比事”阐发书法义例具有一定的灵活性、开放性,但也有一定的局限性,杜预的经承旧史说,则在某种程度上抑制了这种方法的无限使用。三传的“注疏”在运用“属辞比事”时,以充分必要式的理解逻辑,力图在事辞义之间建立一种必然的联击,从而使书法逐步条例化,并导致了书法的进一步膨胀。
As an effective way to clarify the calligraphic cases of “Spring and Autumn”, the author thinks that the “Three References” is mainly used to explain the meaning of calligraphic cases. At the same time, They also use this method to further expand the calligraphic cases of “Spring and Autumn” and put forward the principles of analogy of affair. Through the “speech”, it has some flexibility and openness to expound the calligraphic cases, but there are some limitations. Unlimited use. In the application of “rhetoric ”, with the necessary and necessary understanding of logic, trying hard to establish a necessary link between the dictation of things, so that calligraphy gradually standardized, And led to the further expansion of calligraphy.