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纵观唐代文人园,其经历了从寄情、移情到入理、重理的发展阶段,这样的变化其内因是自然审美的嬗变。园林作为第二自然即人造的自然,有赖于士者文人自然审美意识的变迁,唐代文人园形成了寓情于理、情理相依的园林景境。造园、游园、颂园是中国文人自然审美的重要表现形式,唐代文人园林的发展变化体现出了从寄情、移情到入理、重理的自然审美嬗变,园林作为第二自然即人造的自然,有赖于士者文人自然审美意识的变迁,唐代文人园形成了寓情于理、情理相依的园林景境,在此基础上
Throughout the Tang Dynasty literati garden, it has experienced the development stage from empathy, empathy to enlightenment and remediation. The internal reason of such change is the transmutation of natural aesthetics. Garden as the second nature is man-made nature, depends on the scholar literati natural aesthetic awareness of change, the Tang Dynasty literati garden formed a paternalism, reason and dependence of the garden scene. Garden-making, garden and garden are the most important manifestations of the natural aesthetic of Chinese literati. The development and changes of the garden of literati in the Tang Dynasty embody the natural aesthetic changes from empathy, empathy to enlightenment and re-entailment. The garden as the second nature is man-made The nature depends on the change of natural aesthetic consciousness of literati and scholars in the Tang Dynasty, and the literati garden in the Tang Dynasty formed a landscape that is dependent on reason and reason, on the basis of which