论文部分内容阅读
作为绘画艺术中表现物体和组织画面的重要手段,我们知道点、线、面是首先要研究的对象,一切有形的东西都是从点开始的。在我们长期学习绘画实践过程中经常涉及到点,比如在素描过程中,为了准确的确定物体在空间中的位置,我们会由一个点推及到另一个点,然后再推到下一个,由此来观察形体在空间中的关系,再有在笔触肌理中我们也会看到许多点,如作为新的绘画风格的印象派的点状笔触。因此不管是在视觉上或笔意表现上,点是不可忽视的因素。
As an important means of representing objects and tissues in painting art, we know that points, lines and planes are the first subjects to be studied. All tangible things start from the point. In our long-term study of painting practice often involves points, such as in the sketch process, in order to accurately determine the position of objects in space, we will push from one point to another point, and then pushed to the next, from In order to observe the relationship of the body in space, we will also see many points in the texture of brushwork, such as the impressionistic pie-brush strokes of the new painting style. Therefore, whether in the visual or expressive, point is a factor that can not be ignored.