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笔墨,为中国画最具有民族性的特征语言,不解此语者,可与之论国画乎?数十年来,国内围绕国画之改革与创新纠缠不清的局面,应说与对“笔墨”问题缺乏清晰的把握不无相干,有鉴于此,本文拟从笔墨之滥觞、书画关系、由尚笔到尚墨之演变、墨色关系等方面试给读者一较为清晰整体的笔墨印象。一、笔墨之滥觞笔墨,最早不过是中国
Brush and ink, the most characteristic national language of Chinese painting language, do not understand the language, with the theory of painting? The past decades, the domestic reform and innovation around the traditional Chinese painting tangled situation, should be said that with the “ink” problem In the light of this, this article intends to give readers a clearer and more complete impression of the whole ink art from the aspects of pen and ink, the relationship between painting and calligraphy, the evolution from pen to ink, the relationship between ink and color. First, the ink at the beginning of nothing more than China