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宋元戏剧舞台术语“鬼门道”,或称“鬼门”,是指戏台左右两旁供演员出入的上场门与下场门。由于戏行中人向来有口耳相传、据音俗写的习惯,经过几百年的辗转传写,“鬼门道”一词讹变成十多种写法。据明·朱权《太和正音谱》载:“鬼门道”一词首先误作“鼓门道”,再变成“古门道”(注一)。元·王实甫《西厢记》杂剧,仍然沿用“鬼门道”正名,“鬼”字并未误作“鼓”或“古”。该剧第二本《崔莺莺夜听琴·楔子》演孙飞虎兵围普救寺戏段,戏文有: 洁朝鬼门道叫科:“请将军打话”。
Song and Yuan theater stage terms “Ghost Road”, or “ghost door” refers to the stage left and right for the actor access to the play and the door. Due to the people in the theater have always been word of mouth, according to the habit of writing, after several hundred years of twists and turns, “Ghost Road,” the word corrupted into more than 10 kinds of wording. It is said that Zhu Quan “Taihezhengpian” contains: “the door of the hell” first mistaken for “drums”, and then become “the ancient door” (Note 1). Wang Shih-fu’s The Romance of the West Chamber drama still follows the real name of “the hell.” The word “ghost” is not mistaken as “drum” or “ancient”. The second episode of the play “Cui Yingying night to hear the piano wedge” played by the soldiers flying around the universal relief Temple Paragraph, the opera has: Jie Dynasty Ghost Door Road Branch: “please generals fight.”