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八十年代的中国文学究竟走过了怎样的历程?组构了怎样的意义世界?提供了怎样的审美范型?展示了怎样的文化哲学内涵?此类问题未尝没有人提过,诸种问题也未尝没有人论过。然而,任何解读,任何评价,任何阐释都是具有时代局限性,理论有限性,现域差异性。 或许,想象二十一世纪的文学天空虽模糊浪漫,却无论如何比沉思,反观八十年代文学来得愉快和令人鼓舞。但是,谁又能抹去至今仍记忆犹新的八十年代那“多彩”的文学景观呢?“理论视界中的八十年代中国文学论”将越过种种评点式感悟式解读和批评,抒情性赞美武断性断语,而走进文本,对种种问题进行理论的解读和反观,这或许又是一种有限性的理论视界,但它毕竟是在新的语境新的批评话语中的新的解读视界。
What kind of journey has Chinese literature in the 1980s gone through? What kind of aesthetic world has been constructed? What kind of cultural and philosophical connotation has been shown? No one has mentioned such problems It is also no one has not seen before. However, any interpretation, any evaluation, any interpretation is the limitations of the times, the theory of limited, regional differences. Perhaps imagining the literary sky in the twenty-first century, though romantic and romantic, is in any case more pessimistic and contrasting with the pleasant and encouraging literature of the 1980s. However, who can erase the “colorful” literary landscape still remembered in the 1980s? The “theory of Chinese literature in the 1980s” in the theoretical field of view will cross all sorts of critical-semantic interpretation and criticism, and lyricism Praising the arbitrary discourse and going into the text to interpret and reverse the theory on various issues may also be a limited theoretical horizon, but after all it is a new interpretation in the new discourse of new critical discourse Horizons.