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一直有一种观点,说85新潮美术只能被看成是一种文化生态的意义上的运动,而不是一种形式的或者艺术史的意义上的运动。这个观点很有代表性。严格来说,在世界美术史上,85时期的这个背景是比较独特的,唯一可能进行比较的,可能是苏联解体以后1990年的一种状况,但和它还是有区别,因为苏联和我们的政策本身有差异的,苏联对现实主义的提倡从来没有达到中国文化革命时的极端化状态,苏联的文艺就是在它最为意识形态化的
There has always been a view that 85 trendy art can only be seen as a cultural movement in the sense of the culture, not in the sense of a formal or art history. This view is very representative. Strictly speaking, in the history of world art, the background of the 85th period is rather unique. The only possible comparison may be a state after the dissolution of the Soviet Union in 1990, but it is still different from the Soviet Union and our policies In itself, the Soviet Union’s promotion of realism never reached the extreme state of the Chinese cultural revolution. The Soviet literary art was at its most ideological