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意境作为中国所独有的一种审美形态,其内涵生成实质可追溯到先秦时代。在先秦众多的哲学散文中,《庄子》特别是它的首篇《逍遥游》对意境说审美内涵的生成作用无疑是巨大的,它将意境说的“意”与“境”二者真正融为一体,奠定了意境说形成的美学基础,并使这一美学形态最终形成。在探讨中,我们能发现一个现象,就是意境来源于对人生哲学的思考,最后在文学的意境中又体现为对人生哲学的永恒追求。也就是说,人生哲学是意境的源头,同时又是意境的终极目的。
As an aesthetic form unique to China, artistic conception can be traced back to the pre-Qin era. Among the numerous philosophical essays in the pre-Qin period, Zhuangzi, especially its first “Happy Walk”, is undoubtedly of great significance to the aesthetic connotation of the artistic conception. It puts the “meaning” and the “context” The two really blend into one, laying the aesthetic foundation for the formation of the mood theory and eventually forming the aesthetic form. In the discussion, we can find a phenomenon, that is, the artistic conception comes from the thinking of philosophy of life, and finally embodied in the artistic conception of literature as the eternal pursuit of philosophy of life. In other words, philosophy of life is the source of artistic conception, meanwhile it is the ultimate purpose of artistic conception.