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老子是道家的创始人和道家美学的奠基者,其博大精深的美学思想影响了中国艺术几千年的发展史。老子许多重要的美学命题直接关系到中国书法艺术审美的形成、建立。书法的精髓在于笔法。唐代书法家、书论家张怀瓘将历代著名书法家的用笔规则集之以大成,注释并概括出《论用笔十法》,为书法艺术的传承做出了重要贡献。这些笔法是怎样从老子的美学渊源发展而来,它们之间有着怎样的关系,文章尝试从这一角度进行探索。
Lao Tzu is the founder of Taoism and the founder of Taoist aesthetics. His profound and profound aesthetic thoughts influenced the development history of Chinese art for thousands of years. Many important aesthetic propositions of Lao Tzu are directly related to the formation and establishment of the aesthetic of Chinese calligraphy art. The essence of calligraphy is in style. The calligrapher and scholar Zhang Huai of the Tang Dynasty put the rule of pen calligraphy of famous calligraphers in ancient dynasties with great achievements, annotated and summed up the “Ten Notes on the Use of Pen”, which made an important contribution to the inheritance of calligraphy. How these brushstrokes originated from the esthetics of Lao Tze, and what kind of relationship they have, the article tries to explore from this angle.