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由于中国文学在整个20世纪并未形成“以美为核心”的价值观、方法论和自觉意识,而是仍以社会化思路为主,作为20世纪中国文学史的另一面,唯美主义长期处于边缘地位,拥有尴尬的身份。本文对中国现代文学中唯美主义发展的基本线索、创作的基本艺术特点和呈现方式、唯美主义在现代文学中的理论表现进行了宏观探索,并在此基础上对唯美主义在现代文学中的基本地位进行了评价,以求就教于方家。
Since Chinese literature did not form the values, methodology and consciousness of “beauty as the core” throughout the 20th century, it is still based on the idea of socialization. As the other side of Chinese literary history in the 20th century, aestheticism has long been in Marginal status, embarrassing identity. In this paper, the basic clues to the development of Aestheticism in Chinese modern literature, the basic artistic features and presentation of the creation, the aesthetic performance of the Aestheticism in modern literature are macroscopically explored, and on this basis, the basic principles of Aestheticism in modern literature Evaluation of the status, in order to teach on the square.