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文学作品中的“疯女人”形象由来已久。被誉为加拿大文学女王的玛格丽特·阿特伍德的作品也不例外。本文试图借助法国作家米歇尔·福柯有关“疯癫”的理论,来分析玛格丽特·阿特伍德三部小说《使女的故事》、《浮现》和《别名格雷斯》中的疯癫女性形象,福柯认为疯癫并不是一种生理上的疾病,它是一种文化建构。疯子是指背离了主流社会价值观,对现存社会制度构成了威胁的人。而《使女的故事》、《浮现》和《别名格雷斯》中出现的“疯癫”的女性,实际上是因为她们没有迎合男权社会的文化,从而被男性贴上了疯癫的标签。通过以上分析,可以看出女性被压迫和边缘化,没有话语权的状态,也可以更好地了解女性在男权社会的生存状态,为疯女人正名。
Literary works in the “crazy woman” image has a long history. The work of Margaret Attwood, hailed as the Queen of Canadian literature, is no exception. This article tries to analyze the “Stories of Madame,” “Emergence” and “Alias Grace” in the three novels of Margaret Atwood with the help of French writer Michelle Foucault’s theory of “madness” Of the crazy female image, Foucault that madness is not a physiological disease, it is a cultural construction. Maniacs are those who deviate from the mainstream social values and pose a threat to the existing social system. Women in Mad Men’s Story, Emergence and Alias Grace are actually insanely labeled by men because they did not cater to the culture of patriarchal society . Through the above analysis, we can see that women are oppressed and marginalized, without the right to speak of the state, but also to better understand the status of women living in patriarchal society, the real name for the crazy woman.