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对手戏场景,是构成一部影片的基础部分之一。导演和摄影师、剪辑师共同努力的结果,就是让观众通过两个演员表演状态正确地领会剧本的目的,并感同身受。所以,对手戏场景拍摄的绝不仅仅是台词,那样的话录音就可以办到。也不仅仅是演员的表演,那样的话,固定机位拍摄舞台剧也可以办到。更不能理解为随意的表演与镜头的组接,那样导演的场面调度和镜头的组接语法也无从谈起。对话场景,是被严谨设计的,周密安排的,反复排练取舍的一组事件的有机组合。
Opposition scenes are one of the foundations that make up a movie. The result of the joint efforts of the director and the photographer and editor is that the audience correctly understand the purpose of the script through the performances of two actors and empathize with it. Therefore, the rival scenes shot by more than just lines, so that the recording can be done. It’s not just a performer’s performance. In that case, a fixed position shooting stage can also be done. But also can not be understood as a random combination of performance and the lens, so the director of the scene scheduling and assembly of the lens syntax is impossible. The dialogue scene is an organic combination of carefully designed, carefully arranged, iterative rehearsal events.