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本期封底画《层峦叠嶂图》是满族女画家爱新觉罗·毓岚献给《满族研究》广大读者的一幅水墨山水。 毓岚亦名芸嘉,1926年生于北京一个书画世家,是现代著名书画家溥伒(字雪斋)之季女。幼年就读家塾,以族人、现代书画名家启功为师。她酷爱丹青,深得父亲垂爱。父亲每作画,辄令其随待案旁,手画口授,悉心指导。不数载,已掌握了山水画用笔赋色之法。为了扩展艺术视野,从传统中汲取营养,她又刻意研究元明山水,对元人盛子昭、明人王孟端之作尤为欣慕,手摹心追,寝馈其间,不计寒暑,孜孜不倦。这使她艺术水平有了大幅度提高,在传统山水画上打下了坚实的基础。
The back cover of this period, “Huanluanluanze map” is a painting of Manchu female artist Aixinjueluo Yu Lan dedicated to “Manchu Studies” readers. Yu Lan, also known as Yun Jia, was born in Beijing in 1926 as a painting and calligraphy family and is the daughter of the modern famous painter Pu 伒 (the word snow). Childhood to attend private supplementary school, to tribal, modern calligraphy and painting master Qigong as a teacher. She loves Danqing, won my father vertical love. Every time his father made a painting, he ordered them with the hand-painted dictation and careful guidance next to the case. Not a few set, has mastered the landscape painting pen color method. In order to expand the artistic horizon and learn from the tradition, she deliberately studied the landscapes of the Yuan and Ming Dynasties. She is particularly fond of Yuan Zhishao and Wang Mengduan of the Ming Dynasty. This has greatly improved her artistic level and laid a solid foundation on traditional landscape painting.