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俄罗斯电影人多年来苦苦等待民族电影的复兴和繁荣 ,密切关注新一代导演崭露头角 ,审视他们的所作所为 ,期望他们成长为俄罗斯历代电影大师们的接班人 ,而所有的期望则取决于今天对他们的教育。俄罗斯电影人承认 ,莫斯科国立电影学院业已形成的教学体系仍是基础的、通用的 ;但同时也关注新兴学院以外的电影教学 ,探究它们对于创作个性的形成及电影语言的演进所带来的变化。“缝纫小组”一文是俄罗斯《电影艺术》杂志记者娜·西莉维娅就此问题对著名导演亚·巴舍洛夫的采访。这位导演同他所创办的电影学校的学生们拍摄的《寡头政治的铁拱基》等影片颇受好评 ,从而证明他的另类电影教学法在当前俄罗斯电影教育中的可操作性。
Russian filmmakers have been waiting for the revival and prosperity of ethnic films over the years, keeping a close eye on a new generation of directors coming out of their own eyes, examining what they are doing and expecting them to become successors to the great Russian cinema masters, all expectations depend on today Education for them. Russian filmmakers acknowledge that the established teaching system of Moscow State Film Academy is still basic and universal; however, it also focuses on film teaching outside emerging schools to explore the changes they bring to the formation of creative personality and the evolution of film language . The “Sewing Group” article is an interview with the famous director Ya Basvalov on the subject by Russian film and magazine journalist Na Si Liwei. The director has acclaimed critics such as “The Iron Arch of the Oligarchy,” filmed by students of the film school he founded, to prove the operability of his alternative film teaching method in current Russian film education.