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二十世纪初,中国正朝着向现代形态的社会转型,然而却在鸦片战争以来内忧外患的泥潭里难以自拔,一批有识之士感到向西方学习的重要性,向传统文化发起挑战,美术界亦出现了变法派、革命派、改良派、国粹派和调和派等理论学派,作为现代中国绘画和中国写实主义美术教育的开拓者,徐悲鸿成为改良派举足轻重的代表人物。本文从当时的社会背景和时代风气探讨徐悲鸿“改良论”产生的原因,在阐释其理论的同时总结其绘画美学在当时及之后的美术界产生的深远影响。
At the beginning of the twentieth century, China was moving toward a society with a modern form. However, it was unable to extricate itself from the quagmire of internal and external threats since the Opium War. A group of people of insight felt the importance of learning from the West and challenged traditional culture, As the pioneer of modern Chinese painting and Chinese realistic art education, Xu Beihong became the pivotal representative of the reformists, as well as the theoretical schools of the transformationalists, revolutionists, reformists, quintessenceists and reconciliators. This essay explores the causes of Xu Beihong ’s “Theory of Improvement ” from the social background of the time and the ethos of the times, and at the same time explains its theory and at the same time sums up the far-reaching influence of his aesthetic painting on the art circles at that time and beyond.