唐寅书法研究

• 作 者: 潘文协
• 机 构: 苏州博物馆,
• 出 处: 苏州文博论丛
• 发表日期: 2016年00期
• 关键词: 帖学 书法风格 书法研究 李邕 落花诗 赵孟 文徵明 祝允明 松雪 书风

明代是一个帖学盛行的时代,同时也是一个赵字笼罩风气的时代。唐寅虽不是帖学之专门名家,但亦是当之无愧的诗书画三绝之才,其书法之最大特色即是出入于松雪与北海之间。本文主要根据流传作品来论述他这一书法风格的基本面貌;兼带论述其书法师承的渊源,并在明代帖学背景下品评其书法风格的优劣得失。

Ming Dynasty is a post era of popular writers, but also a Zhao Zhao enveloped the era of culture. Although Tang Yin is not a famous expert in calligraphy, it is also a well-deserved poetic painting and calligraphy. The most prominent feature of his calligraphy is that it is between Songxue and Beihai. This article mainly discusses his basic style of calligraphy based on his circulating works. He also discusses the origins of his calligraphic tradition and reviews the pros and cons of his calligraphic style under the background of the Ming Dynasty.