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话剧作为以表演为中心的、综合多门类艺术的、时空与共的、以动作展现冲突的一次性现场艺术,根据自身的特性,在表现什么为重点这个问题上,其选择是与中国传统戏曲的视角截然不同的。究其原因,中国传统戏曲更注重典型人物的直接刻画(如大段的唱腔表现人物内心及其性格),并在这种刻画中体现与其相对的艺术意境,使对立的两者统一起来。而话剧则更注重由动作推动情节发展,通过事件来展示人物性格。这就使得两者在表现点的选择上大相径庭。弄清这种区别,对于话剧及其表演的创作和改编,是非常有益的。
As a performance-centered multi-genre art, space-time and common one-time live-action art which shows the conflict by action, the choice of drama is based on its own characteristics and what is the focus of its performance. Different perspective. The reason for this is that the traditional Chinese opera focuses more on the direct portrayal of typical characters (such as the large-scale aria that shows the innermost feelings of the characters and their personalities), and in this portrayal reflects its artistic conception and unifies the two opposing sides. The drama is more focused on the action to promote plot development, through the event to show the character. This makes the choice between the performance of the two very different. To understand this difference is very beneficial for the creation and adaptation of drama and its performances.