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一田野的目的不是为了做作品,而是尝试回答地方与空间提出的问题。复岛团队于2011年左右组成,因应基地条件的不同,组织不同的艺术家参与。因为“不便之真相一环境艺术展”展览的邀请,我带领高师跨艺所的研究生开始进入旗津的长期田调工作。旗津是西方进入台湾的起点,也是台湾首次接触现代西方医学、基督教与棒球运动的地方。我与学生们先从王聪威小说《复岛》与《滨线女儿—哈玛星思恋起》的阅读讨论开始,思索真实地方资料、历史与想象的异同。特别是《复岛》一书,透过魔幻写实构造,王聪威将地方
The purpose of a field is not to do the work, but to try to answer the questions posed by the place and the space. The island team is composed around 2011 and organizes different artists to participate in different locations. Because of the invitation of the exhibition “The Inconvenient Truth-Environment Art Exhibition”, I led the graduate students of the Institute of Across Art into the long-term field work in Cijin. Cijin is the starting point for the West to enter Taiwan and the first place Taiwan has access to modern Western medicine, Christianity and baseball. My students and I began with the reading discussion of Wang Congwei’s novel “Island of Reef” and “Daughter of the Shoreline - Hama Star Love,” thinking about the similarities and differences between real local materials, history and imagination. In particular, “Island” a book, through the realistic structure of magic, Wang Congwei will place