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阅读古籍时常会遇上这样的情形:许多理应获知的重要信息并不显于其文字表述,而是隐函于各则材料的联系之中,须得多读多思方能揭晓,这时得到的感受就常会与初读时迥然相异。举个例子来说吧,褚人获的《坚瓠集》中有则颇有趣的故事:某铁匠因巧于经营而发家,他自恃有钱,在乡里挺胸腆肚、趾高气扬,还不让人提起他过去的打铁生涯。一天,此人忽起附庸风雅之念,请大名士杨循吉为自己题写斋号。杨循吉极其厌恶浑身铜臭味的暴发户,但又出人意料地欣然命笔,赠与“酉斋”二字。匾额挂出后谁也不晓其意,最后还是杨循吉自己作了注释:“此人忌讳提他是打铁起家,我偏要让他制成匾昭示天下。那‘酉’字横看是个风箱,竖看不正是打铁用的铁墩吗?”钱泳的《履园丛话》中
Reading ancient books often comes across as such situations: many important information that should be known does not appear in the text, but in the connection of the materials, which must be read more and more before it can be revealed. At this moment, The feeling is often very different from the first reading. For example, there is a rather interesting story in Chu Jian’s book: A blacksmith, who is fortunate enough to run a business, relies on richness and holds her own arms in her hometown Men raised his past blacksmith career. One day, this person suddenly looked up artwork artwork, please Ming Yang Yang Xiji for his title title number. Yang Xunji extremely disgusted with the ruthless copper stinking upstart, but unexpectedly pleased to call the pen, gift “unitary vegetarian ” word. Who did not know the meaning of the plaque was hung out, and finally made a note by Yang Xunji himself: “This person taboo to mention him is a blacksmith started, I will let him make plaque show the world. , Vertical look is not correct is the iron pier with iron do? ”“ Qian Yong’s ”Park Yungong words"