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导演们常常要去主持某座剧场的落成典礼,可事实上他们却与剧场的建造几乎毫无关系。在接受媒体采访时,他们会滔滔不绝地谈论什么是某个国家、某座城市以及某种时代所拥有的最好的剧场,而媒界也遵循古老的戏剧传统,极尽吹捧之能事去迎合对方。至于那些知名的艺术评论家,他们也不遗余力地大肆渲染。导演本人往往对剧场的规模庞杂及不合时宜束手无策,尽管他们的职业训练促使他们找到自信。相比之下,另外一种职业技能在此却用不上,即敢于在最后一刻调整、改变,甚至放弃整个舞台调度。多年前由别人——有时
Directors often go to the inauguration of a theater, but in fact they have almost nothing to do with the theater. When interviewed by the media, they talk endlessly about what is the best theater in a country, a city and sometime, and the media also follow the ancient tradition of drama and do the best to extol Meet each other. As for those well-known art critics, they are also sparing no effort to hype. The directors themselves are often at a loss to the size and out of place of the theater despite their professional training motivating them to find their confidence. In contrast, another kind of professional skills in this useless, that is, dare to adjust at the last minute, change, or even give up the entire stage scheduling. Many years ago by others - sometimes