女性角色与陶瓷艺术的源流性关系研究

• 作 者: 胡菁惠
• 机 构: 景德镇陶瓷学院,
• 出 处: 金田
• 发表日期: 2013年07期
• 关键词: 女性角色 陶瓷艺术 女性的声音 远古时代 艺术舞台 女性运动 男性霸权 不和谐 洗礼 历史 集体 发声 充实

从远古时代开始,陶瓷艺术便与女性紧密相关。历经千年洗礼,女性的集体发声不断被男性霸权所掩盖,无法独立登上艺术舞台。进入20世纪,女性的声音也曾响亮,但底气欠足。直到20世纪90年代,“女性”角色开始饱满充实,她发出了连贯的合唱,尽管有时略显不和谐。

From ancient times, ceramic art is closely related to women. After a thousand years of baptism, the collective voice of women has been covered up by the masculine hegemony, unable to board the art stage independently. Into the 20th century, the voices of women have also been loud, but lack of confidence. It was not until the 1990s that the “female” character became full and full, and she issued a consistent chorus, albeit at times slightly dissonant.