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蒋杭艳常行走在海边。海是她最爱的主题。与海相伴的人身上充满着情感甚至戏剧性。在海边,会有什么东西从久远的梦境中苏醒过来。没有什么比海边离大海更远。潮水之下,那是荒原。潮水退却,海才袒露出来。面对海,视线也要像幽深无底的海。稳定、平衡,才是表达的巅峰。太多浮华的风光和粉饰的民俗是毫无现实价值的唯美碎片。这个时代,虚拟盛行,沉于幻象。物质的高峰,映衬的是精神的低谷。从命若游丝的风景摄影移步到景观再现,这是种觉醒。她拍摄的景观就是她看到的,不用构成,不用
Jiang Hang Yan often walk by the sea. Sea is her favorite theme. People who accompany the sea are full of emotion and even drama. At the beach, something awakens from the distant dreams. Nothing is further from the sea than the sea. Under the tide, it is a wasteland. Tide retreat, the sea was bare. In the face of the sea, the line of sight should also be like a deep sea without end. Stable, balanced, is the pinnacle of expression. Too many flashy scenery and whitewashing of folklore is a real piece of aesthetic value. This era, virtual prevalence, sinking in illusion. Material peak, against the background of the trough of the spirit. It is a kind of awakening from the scenery photography of life gossamer to the landscape reproduction. She shot the landscape that she saw, do not constitute, no