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人所尽知,戏剧的真实依赖于幻觉。高度的假定性是合乎舞台美术本性和剧场艺术特性的。在这种高度的假定性的舞台美术中,灯光起到了意想不到的效果,独具匠心的写意灯光的运用,使舞台产生了三度空间,使舞台富于生命。写意性的灯光,成为生活与艺术的结合体,是对现实生活进行提炼、集中和加工改造的结果。如某戏中有这么一个场景:舞台的一侧,从台口到舞台的深部是一圈木栅栏,栅栏里是露出一角的木制小屋,在台里底部的天幕上用幻灯片投射出根深叶茂的森林图像。在舞台的另一侧,用聚光灯从侧幕条内投向舞台的清晨阳光,透过树林呈
The truth of the drama depends on the illusion. The high degree of presumption is in line with the stage art nature and theater art features. In this highly hypothetical stage art, the lights play an unexpected effect, the use of the originality of the deliberate lighting, the stage has a space for three to make the stage full of life. Freehand light, a combination of life and art, is the result of refining, concentrating, and reworking real life. For example, there is such a scene in a scene: one side of the stage, from the mouth to the stage is a circle of wooden fence, the fence is a corner of the wooden hut at the bottom of the stage canopy with a slide projected deep Leafy forest image. On the other side of the stage, the early morning sunshine directed toward the stage from the side curtain with a spotlight