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人们有这样一种印象,中国当代大学生对京剧不感兴趣。情况究竟如何?大学生对京剧这种传统文化的否定态度达到何种程度?他们为什么会有这种态度?是否能改变这种否定态度?如何引导他们改变态度?这是我所关心的,我想也是很多人所关心的。为此,我在北大的部分同学中进行了两次实验性的调查。我之所以选择在北大的学生中进行,是因为北大学生有一定的代表性和影响,而我在北大教学,也较为方便。
People have the impression that Chinese contemporary college students are not interested in Peking Opera. What exactly is the situation? To what extent do college students negate the traditional culture of Peking Opera? Why do they have this attitude? Can they change this attitude of negation? How can they be led to change their attitude? This is my concern, and I think Many people are concerned. For this reason, I conducted two experimental investigations among some of Peking University students. The reason why I chose to work at Peking University students is because Peking University students have some representativeness and influence. However, I teach at Peking University and it is also more convenient.