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样式问题的讨论在今天不仅具有理论上的意义。确实,在文学和艺术存在的全部历史过程中,这个问题时而成为迫切问题,时而销声匿迹,时而又重新出现。这是因为,样式是认识艺术发展某一阶段实际状况的手段之一。研究样式的结构,题材和风格特征,研究它的辩证发展,同化和演变,能使我们在创作风格多样化中理出头绪,它也为探讨总的艺术发展过程提供素材。
The discussion of the style problem today is not only of theoretical significance. Indeed, in the entire historical process of the existence of literature and art, this issue has at times become a pressing issue, sometimes disappearing and sometimes reappearing. This is because style is one of the means of recognizing the actual state of a phase of artistic development. Studying the structure, subject matter and style characteristics of a style, studying its dialectical development, assimilation and evolution can help us to get a clue about the diversity of creative styles and provide material for exploring the overall process of artistic development.